Monday, December 13, 2010

Wikirebels - The Documentary

In WikiRebels, we learn about the early hacker life of Julian Assange, and his later decision to form an organization where whistleblowers can anonymously pass information that documents crime and immorality. His stated goal is to expose injustice, and nothing exemplifies this more than the leaked film entitled “Collateral Murder.”

Assange’s stated hope was that alternative media would disseminate the leaks – amounting to over a million documents to date – in a way that would drive positive change. In the film (and in various interviews), he expressed disappointment that alternative media has mostly been unable to adequately analyze and synthesize the data contained in the massive data dumps. So, the whistleblower organization turned to corporate media, with its deep pockets. The Guardian (UK), Der Spiegel (Germany) and the New York Times (US) brokered a deal to publish their analysis of the documents at the same time.

Though this controversy is not mentioned in the rough cut of WikiRebels, such a move launched widespread suspicion that the group is part of a carefully contrived psychological operation. I discount this in Criminalizing Whistleblowers: Wikileaks and America's SHIELD Legislation. Speculation about the source of the documents is much easier than analyzing the thousands of released documents.
One independent news source, IndyBay.org, reports that Assange accepted payment from Israel to delete any U.S. diplomatic cables that portray Israel poorly (as if anything could mar its reputation any worse than it already is). The source of this information, however, is Daniel Domscheit-Berg, a former disgruntled employee of WikiLeaks.

At the end of WikiRebels, Iceland TV journalist, Kristinn Hrafnsson concludes, “Democracy without transparency is not democracy.”




Wikirebels - The Documentary from Kaiser Soze on Vimeo.

WikiRebels
Producers: Bosse Lindquist and Jesper Huor
Executive Producer: Johan Branstad
Publisher: Ingemar Persson and SVT 
2010, 58 mins.

No comments: